Standard 1. Communication
As a class project, have the group design and execute a mural about saving the rain forests. This project includes a public relations component where students verbally and visually defend the themes and ideas of the politically charged topic. Students gather information from the Internet and other resources pertaining to the subject.. Students devise the images, gather the materials, and paint the project. A written report evaluating results identifies intended meanings and what is being communicated.
Standard 2. Basic Components of Art
In a series of projects in a drawing class produce separate works illustrating each element and principle of art. An example is the study of texture where the student draws his hand and applies a different texture to each finger. Use Meret Oppenheim’s “Object” as a model and have the students create a situation where the juxtaposition of elements and principles present a problem to solve visually. Emphasize the relationship unusual texture has on ordinary objects. Describe how these odd artistic anomalies make you feel.
Standard 3. Materials, Techniques, Process.
In a pottery class throw a cylindrical vessel on the wheel. Identify technical ceramic vocabulary, become familiar with the necessary tools, observe and imitate ceramic wheel throwing technique, and with guided practice, produce the work. Understand and undertake glazing and firing to finish the vessel.
Standard 4. History, Culture and Social Context
Study and produce a work in the style of the Mexican Amaté bark paintings. Research the history, culture, society, and people who make this art form. Understand why these artists create. Analyze the significance of repeated themes in these paintings such as the “tree of life” in the original Amaté work. Understand why the Otomie Indians use images and symbols to enhance their lives and protect themselves from evil spirits.
Standard 5. Appreciation and Criticism
Use Feldmans’ model in “Mastering the Techniques of Art Criticism” Have students in a painting class choose another students’ finished work of art to analyze. In writing, start by making an inventory of the painting: objects, colors, spaces. Describe what you see. Note relationships of colors, spaces, lines, textures, etc. Interpret what the painting means, use visual clues, feelings, etc. Formalize a judgment addressing a philosophy of art. Place all of the paintings around the room and have the students read their analysis. Elicit responses about each work from the group.